For the past few years I have been an avid reader of Seamus Heaney's verse. His poetry belongs to a generation which experienced rapid changes in technology and society as a whole, a generation which grew up in the Christian tradition but who grew into a world which sometimes distances itself from it as if it were something alien. Heaney's generation, to which I count such poets as Derek Walcott, Geoffrey Hill and Joseph Brodsky (though the latter did not have a Christian upbringing), who combined the poetic modernity of their time with the classical and biblical heritage so much of Western culture is founded upon. This has resulted in much great and beautiful poetry.
I was therefore immensely saddened by the news of Seamus Heaney's sudden death. To my mind, there are few poetic voices equal to his in our time, and he should have had so many more years to write more poetry and delight us with his verse.
In the course of the day of his death some lines came to me and I decided to do what people so often do on such occasions, namely to compose an elegy. I was at first apprehensive of putting it up on the blog, particularly because such flaunting of verse tends to work as a soap box for the writer rather than a dirge for the dead. In the end, however, I decided to go through with it in the hope that whoever reads it will see it for what it is: a well-meant and honest adieu to one of my favourite poets.
I) Dies Natalis
In the course of the day of his death some lines came to me and I decided to do what people so often do on such occasions, namely to compose an elegy. I was at first apprehensive of putting it up on the blog, particularly because such flaunting of verse tends to work as a soap box for the writer rather than a dirge for the dead. In the end, however, I decided to go through with it in the hope that whoever reads it will see it for what it is: a well-meant and honest adieu to one of my favourite poets.
Out of Ireland
Elegy for Seamus Heaney
August 30 2013
August 30 2013
I) Dies Natalis
When news came out of Ireland I was
stung.
First I refused to believe: the
mourner's
privileged intransigence towards truth
that keeps him buoyant in the instant
grief.
After the first shock the mind moved
towards acceptance, settled in, agreed
that this was now reality. And then,
I slowly sought to fathom the depth of
loss:
there would be no more words and no
more songs,
but worst of all was this: we never
spoke
and now our silence must remain a
silence
like candlesmoke when the flame has
found its end.
The book of mankind is a house of many
rooms,
each has its own and now your door is
shut.
A closed door opens wounds as now the
close
of your last chapter turns my heart to
grief.
II) The Morning After
It was the morning after and I stood
bare-breasted in the morrow, felt the
wind
against the skin and saw the dawn erupt
in a fire that gave the pines their
darkness,
and the fire hung heavily in the east
like some slow pulse that spoke of deep
vexation,
like a mourner's heart settling to the
facts
or the Creator's regret when things
commence.
I stood there with the cold air as my
clothing
and lent my eyes to the camera's blind
winks
to eternise the moment, when a lapwing
called out and I looked up to find its
flight
and saw him as a black speck in the
fire,
a messenger of change and I thought of
you,
raised from your flesh to the spirit
level
which is your words in time and after time.
- August 30-31 2013
- August 30-31 2013
Requiescat in pace
(courtesy of wikimedia common)
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