Today, July 25, is the feast of Saint James the Elder, one of the most famous saints of Latin Christendom, and arguably the most famous saint of Spanish history. One of Christ's apostles, medieval legend placed his shrine in Compostela in Galicia, Northern Spain. At the beginning of the twelfth century, Compostela was the locus of one of the most intense bouts of mythopoiesis - myth-making - in the Middle Ages, where the clergy at Compostela created a legend that tied their place with biblical history, the legend of Charlemagne, and with the contemporary, twelfth-century world. This myth-making process created one of the three main pilgrim sites in the Latin Christian consciousness, with Rome and Jerusalem being the other two. Part of that process was the erection of the great Romanesque cathedral of Compostela, which is now largely supplanted by a later Gothic one, and the corpus of hagiographical material that is compiled in the Liber Sancti Jacobi (Book of Saint James), whose main textual witness is the twelfth-century Codex Calixtinus. Since James the Elder was known throughout Christendom due to his appearance in the Bible, and since his sanctity was accepted by all Christians, Compostela's claim to be the apostle's resting place resulted in durable myth that has continued to work its effect into our own times. Saint James, or Santiago, has become in effect a patron saint of Spain and of Spanish imperialism. The historical development of the cult is complex, but a very simplified summary of the evolution of Saint James' iconography can be found in this old blogpost. In short, however, we should note that Saint James goes from being an apostle, to a pilgrim, to a battle-helper. This is an evolution that demonstrates, in a typical fashion, the plasticity or malleability of saints.
From a Norwegian perspective, there are notable similarities in how Saint James the Elder became a focal point of myth-making in Spain and how Saint Olaf became a focal point for a similar process in Norway. The myth-making centred on Saint Olaf gained momentum from the 1150s onwards, after the establishment of the Norwegian Church Province in 1152/53, where Trondheim - Saint Olaf's resting place - became the metropolitan see of a church organization that stretched from Oslo to Greenland. By the mid-twelfth-century, the sanctity of Olaf had become an accepted part of Scandinavian historical thought, and he was venerated throughout the Norse world, largely thanks to the Nordic diaspora whose members continued to tell stories about him. From the 1150s onwards, however, these stories became more fixed as they were committed to writing, and the clergy at Trondheim used the legend to anchor Norway and the Norwegian Church both locally within Norway, within a wider European context, and also within a universal history that reached back into biblical times. Saint Olaf became the patron saint of Norway, and his cult enjoyed a stable and widespread popularity well beyond the Reformation, and he remains an important point of reference in our own time. (He is even featured - although as a historical figure rather than as a saint - in the TV series Beforeigners.) Like Saint James, Olaf has also undergone an iconographic evolution, being presented as a warlord, a battle-helper, and as a Christian ideal king. Also like in the case of Saint James, while these representations accrued over time, they also co-existed and made for a very composite and complex image of the holy figure.
The two saints were both important focal points in their respective geographies, although the similarities between the two cults are out of balance due to the much more widespread fame and status of Saint James the Elder and of Compostela as a holy site. Many of the mechanisms between the two cases of myth-making are similar, however, and it remains an academic fantasy of mine to have those two myth-making processes carefully compared through an international project. For the time being, however, I will have to be content with noting, as people have done before me, that these similarities exist, even though there are very few zones of contact between the two cults. While Saint James was venerated in Norway, there is little reason to think that Olaf was known in Spain, even though the twelfth-century miracle list, known as Miracula Olavi, claims that a Galician knight came to the shrine of Saint Olaf to be liberated from his chains.
As far as I know, the Norwegian mythmakers drew inspiration from the general practices of Christian mythmaking, and not from one single cult in particular. It is unclear whether any of the clerics and monks involved in the Norwegian mythmaking drew on the corpus of legends connected to Saint James, but the gist of this corpus was indeed known in twelfth-century Norway. This knowledge is demonstrated by a detail from a reliquary in Hedalen stave church, which contains a relic of Saint Thomas of Canterbury (d.1170; can. 1173). One of the short sides of the reliquary contains two figures, namely Olaf and James the Elder, the former recognizable through his axe and crown, the latter recognizable through his pilgrim's garb. This depiction of James shows that the Compostela legend - which formulated him as a pilgrim - was known in Norway.
Photo by Nina Aldin Thune; courtesy of Wikimedia
Photo by Trond Øigarden
From an exhibition at the Oslo University Library curated by José Maria Izquierdo, autumn 2021
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