At the Museum of Cultural History in Oslo, it is possible to behold one of the most exquisite surviving works of medieval art from Norway, namely the ceiling of the ciborium of Ål stave church. The ceiling, visible to the ministrant priest and presumably intended to amplify his voice during sermons, contains a number of Biblical episodes, from Creation to the life of Christ. One of the key episodes is the Nativity, where Mary is shown reclining in a bed and looked after by a servant or a nurse, while Joseph keeps an eye on the manger, with the ox and the ass looking curiously into it. It is possible - although I have not yet read any analysis of this artwork - that the bed in which Mary lies is aimed to convey a sense of royalty. The blanket being in two colours, rather than a single colour, might be seen as foreshadowing Mary's role as queen of Heaven, a role that is made clear in the next episode. Here, we see the Virgin Mary enthroned, an angel attending to her with a thurible, and two of the three kings bringing gifts. The Christ-child sits in her lap, and Mary herself is wearing a crown.
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