Recently I've been thinking quite a lot about Oxford. I've started re-watching Lewis, one of my favourite TV-series of all time, and I've spent much time on one of my favourite blogs, written by a brilliant clerk of Oxford which contains a great variety of information pertaining to this city. One result of this preoccupation is a growing interest in the man who coined the city's much-loved and much-quoted sobriquet "city of dreaming spires". The man in question is of course Matthew Arnold (1822-88), whom I came in contact with through Derek Walcott, who used a stanza from his To Marguerite as an epigraph in his autobiographical poem Another Life. It is evident why Arnold's poem was chosen for this purpose, as both poets display a conspicuous and deep-seated fascination with wandering, absence, estrangement and longing - themes which resonate with me very well because of my nostalgic nature.
Matthew Arnold, c.1883
The poems in this
blogpost were all first published in 1852, written during Arnold's
poetically most productive part of life, namely his twenties. The
latter two are written to the mysterious dedicatee Marguerite, whom
scholars throughout the ages have striven to identify. Arnold is
perhaps most known for his longer poems such as Balder Dead or
Empedocles on Etna, dramatic and narrative works which are
ill-suited for presentation in the blog format, so the poems here are
all short and lyrical. I have come to greatly enjoy these two
qualities in poetry, and I find it is easier to explore a poet by
starting at his shorter work. This is perhaps especially the case
with a Victorian poet such as Arnold, whose style may seem laboured
to our modern eyes, although this is chiefly a result of the numerous
elisions employed throughout the verse lines.
Too Late
Each on his own
strict line we move,
And some find death
ere they find love.
So far apart their
lives are thrown
From the twin soul
that halves their own.
And sometimes, by
still harder fate,
The lovers meet, but
meet too late.
- Thy heart is mine!
- True, true! ah true!
- Then, love, thy
hand! - Ah no! adieu!
To Marguerite
Yes: in the sea of life enisled,
With echoing straits between us thrown.
Dotting the shoreless watery wild,
We mortal millions live alone.
The islands feel the enclasping flow,
And then their endless bounds they know.
But when the moon their hollows lights,
And they are swept by balms of spring,
And in their glens, on starry nights,
The nightingales divinely sing;
And lovely notes, from shore to shore,
Across the sounds and channels pour;
O then a longing like despair
Is to their farthest caverns sent!
For surely once, they feel, we were
Parts of a single continent.
Now round us spreads the watery plain—
O might our marges meet again!
Who order'd that their longing's fire
Should be, as soon as kindled, cool'd?
Who renders vain their deep desire?—
A God, a God their severance ruled;
And bade betwixt their shores to be
The unplumb'd, salt, estranging sea.
Absence
In this fair stranger's eyes of grey
Thine eyes, my love,
I see.
I shudder: for the
passing day
Had borne me far
from thee.
This is the curse of
life: that not
A nobler calmer
train
Of wiser thougths
and feeelings blot
Our passions from
our brain;
But each day brings its petty dust
But each day brings its petty dust
Our soon-chok'd
souls to fill,
And we forget because we must,
And we forget because we must,
And not because we
will.
I struggle towards the light; and ye,
I struggle towards the light; and ye,
Once-long'd-for
storms of love!
If with the light ye cannot be,
I bear that ye remove.
If with the light ye cannot be,
I bear that ye remove.
I struggle towards the light; but oh,
While yet the night
is chill,
Upon Time's barren,stormy flow,
Upon Time's barren,stormy flow,
Stay with me,
Marguerite, still!
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